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Wykład "A project for three generations. Rendering Mahabharata into Braj in the 18th century"
12.05.2022
Zapraszamy na wykład, który wygłosi prof. Rajkumar (Banaras Hindu University, Indie).
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Dni Indyjskie
08.05.2022
Zapraszamy na jedenastą edycję Dni Indyjskich w Krakowie.
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Wykład "Reexamining genealogical fantasies about the Indian origin of Romani people"
04.05.2022
Zapraszamy na wykład, który wygłosi dr Avishek Ray (National Institute of Technology Silchar, India).
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Dni Indyjskie
13.05.2021
Zapraszamy na dziesiątą edycję Dni Indyjskich w Krakowie.
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Wykład online "Vratya culture in Vedic sources"
08.05.2021
prof. Tiziana Pontillo (Uniwersytet w Cagliari)
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Wykład online "A New House for the God in Teṅkāśī: Divine Dreams, Revelations and Kings in 15th- and 16th-century Pāṇḍya Inscriptions and Sanskrit Courtly Production"
03.05.2021
dr David Pierdominici Leão (Instytut Orientalistyki UJ): Jaṭilavarman Arikesari Parākrama (1422-1463 CE) is one of the foremost monarchs of the later phase of the Pāṇḍya dynasty, ruling from an ‘exiled’ kingdom in the Tirunelveli district (Tamil Nadu). His reign marked the apogee and the splendour of the 15th-century Pāṇḍya court, despite the undisputed dominion of the Vijayanagara Empire (1336-1565) in the South. The sovereign is acknowledged to have built the majestic complex of the Kāśīviśvanātar temple in Teṅkāśī; its building circumstances and phases are testified to by three important Tamil inscriptions. In the epigraphical narrative, Śiva appeared in a dream to the King and commanded to build for him a new house in the Tamil land. The same episode is retold by a 16th- century Sanskrit mahākāvya, the Pāṇḍyakulodaya, authored by Maṇḍalakavi. In this ‘historical’ poem, the author sensibly modified the narrative sequence, charging the event and Arikesari’s action with a completely different value than the inscriptions, which are so centred on the divine intervention.
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Wykład online "W drodze na tron królestwa literatury. Kobiety w indyjskiej sztuce skupienia"
07.03.2021
dr Hermina Cielas (Instytut Orientalistyki UJ): Początki awadhany (avadhāna – „koncentracja”), wciąż praktykowanej indyjskiej sztuki performatywnej opartej na umiejętności osiągnięcia nadzwyczajnego skupienia, sile ludzkiej pamięci, kreatywności i wielozadaniowości, datować można przynajmniej na XII-XIII wiek. Od stuleci ci, którym udaje się pomyślnie przejść przez stawiane przed nimi w trakcie występu zadania, zdobywają tytuł awadhaniego (avadhānī), będący gwarancją sukcesu i wysokiego statusu społecznego. Jedynie nielicznym kobietom udało się dołączyć do tego grona.
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Authorship attribution and authorship verification in Indology: traditional philology and computational stylometry
25.09.2019
Prof. Ivan Andrijanić (University of Zagreb): The term stylometry, as introduced by Polish philosopher and philologist Wincenty Lutosławski in 1890, implies the measurement of textual stylistic affinities in order to address different literary issues such as authorship, chronology, or text-history. In authorship studies, the stylistic characteristics of a text of unknown authorship are compared to the determined profiles of known authors. This type of categorisation is usually referred to as authorship attribution in authorship studies. In the past 30 years, computational stylometrics has seen significant progress and numerous techniques have been proposed, culminating in machine-learning classification models. In authorship attribution studies, authorial profiles are selected and compared to the profile of a text by an unknown or disputed author in order to identify a matching candidate.
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"Preliminary Remarks on Indian Plot Theory as Narrative Modes"
15.05.2019
Prof. Ulrich Timme Kragh i Abhishek Jain
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"Laukika and Dharma: The Distinction of Worldly and Religious Narratives in the Kannada Writings of the Tenth-Century Poet Pampa"
02.05.2019
Prof. B.A. Viveka Rai
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